They Don't Play Stickball in Milwaukee Read online

  They Don’t Play Stickball

  in Milwaukee

  by

  Reed Farrel Coleman

  Copyright© 1997 by Reed Farrel Coleman

  Coleman, Reed Farrel.

  They Don’t Play Stickball in Milwaukee/by Reed Farrel Coleman

  p. cm.

  ISBN 1-57962-016-7

  eISBN 1-57962-298-4

  I. Title.

  PS3553.047445T48

  813’.54--dc20

  96-46356

  CIP

  All rights reserved, including the right to reproduce this book, or parts thereof, in any form, except for the inclusion of brief quotes in a review.

  First edition, December 1997

  THE PERMANENT PRESS

  4170 Noyac Road

  Sag Harbor, NY 11963

  Dedicated to the memory of my late parents,

  Bea and Herb Coleman

  Acknowledgments

  I would like to thank Tom McDonald for his friendship and inspiration. I would also like to thank my wife Rosanne and my children, Kaitlin and Dylan, for their love, faith, and support. Thanks to Ellen W. Schare for her loyal friendship and skillful editing. And finally, a word of appreciation to my other cop buddies, Vincent Murano, John Murphy, and Billy Johnson.

  Prologue

  And each successive shot was another loud, fateful rap on

  the door of my undoing.

  —Albert Camus, The Stranger

  Angel

  Angel Hernandez’s skin was an elaborate puzzle of fire-breathing tattoos and Christ heads. Some of the body art was delicate, subtle like the flecks of bright red in the tar-black eyes of the dragon which stretched its scaly wings across Angel’s back. The ominous talons, raised at anyone who noticed the dragon—it was impossible not to notice—held a crucifix. The dying Christ seemed unfazed. The jagged tail ran the length of Angel’s spine, spiraling around a black dagger on his right buttock. The white face of Christ superimposed on a red cross covered his hairless chest. This was a skilled piece of work as well. The tattoos of blue chains around his neck and upper arms were sloppy, but had a certain flair.

  There were others, amateurish gang markings that let the rest of the prison population know under whose protection Angel traveled. He had carved Madre into his right forearm over and over again until a blind man could read the raised scar tissue. He had carved another word, a name, into the skin of his upper left thigh near the crease between his leg and groin. The letters in the name were ragged and undetectable even to other men in the shower. Only the weaker prisoners Angel preyed upon and sodomized knew the name was there at all. He often beat his prey for asking about the name. After the first few years, only the uninitiated wondered aloud.

  Christ and the painted dragon cried tears of Angel’s sweat as he strained to finish his third set of ten reps benching three hundred pounds. He was already souless and a murderer when he got to Attica, but rage and time had conspired with free weights to turn the rest of him into stone.

  “Come on, Angel, two more,” the spotter yelled at Hernandez.

  “Nueve,” Angel grunted, pushing the bar up and locking his elbows. “Did you get it out for me?”

  “Come on, one more, we talk when you’re done.”

  “Did you get the fucking thing out for me?” Angel screamed at his spotter, his arms beginning to shake from the strain.

  “Yeah, man. Okay, okay. I got it out. I got it out.”

  Angel let the bar drop slowly to his chest and he pushed it back up to complete his reps. He placed the bar in the Y-shaped rests on either side of the bench and sat up. He walked to where his shirt covered a pack of cigarettes. He flipped the pack to his spotter. Smiling broadly, the spotter shook the pack close by his ear.

  “Don’t worry, pato” Angel assured him, “there’s enough Dilaudid in dat pack to keep you and your beetch happy for de month.”

  At mess that night, three guards surrounded Angel when he went to clear his tray. They herded him into a storage room off the kitchen. He was handcuffed, his legs shackled, and a sock was stuffed in his mouth. Angel didn’t resist, there was too much at stake.

  “We hear you’re leavin’ us next week for the halfway house. And me and some of the boys were kinda hurt you didn’t tell us. But we’re not the type a people to hold a grudge, no sir. So we thought we’d throw ya this little bye-bye party.”

  Angel tensed his muscles, waiting for the first fist or baton blow to crack his ribs. No blows came. Instead the guards just laughed at Angel. The guard who had done the talking motioned his two partners away from the prisoner. He stepped back from Angel and pulled out a Taser. He let Angel get a good look at the electro-shock gun. Now Angel tried to run, but even before he could trip over his shackled ankles, the tethered hook caught his shirt. His bones burned in pain as his skin crawled with a million unseen ants. His body convulsed wildly and he could smell his own filth as his muscles lost all control. He didn’t remember passing out.

  He woke up with a start, unchained and in his cell. He’d been cleaned up, but he was sick to his stomach, his head on the edge of explosion. Angel staggered out of his bunk, straining to see the calendar in the dark. The dates hadn’t changed, just seven days more. He felt the wall for his brother’s picture. He kissed the snapshot, crossed himself, climbed back into his bunk. He slide his right hand under the waistband of his pants and felt for the name carved into his thigh. Angrily whispering the inscribed name, Angel cried himself to sleep.

  County Jail

  County jail was not prison. It wasn’t her mother’s warm embrace, but it wasn’t prison. Prison was coming. She no longer viewed her trial with any remote sense of optimism. When she found herself entertaining even vaguely hopeful thoughts, she bit the inside of her lip until blood gushed across her tongue. The taste of blood reminded her not to hope. She saw her trial only as a rest stop on the way to prison, a bureaucratic hiccup, a way for the masses to avoid culpability. Never mind that she was innocent, she was going away for the better part of twenty years.

  “Prison.” She liked to say the word. She liked to play with the word. “On. Sip. Son. No. Sin. In. Nip. Pin. Sir.”

  But it wouldn’t be called a prison, not where she was headed. It would be called a correctional facility for women. She wondered what flaws in her character the facility would be correcting. She wondered what she would do with her days and how long it would be before she was raped by a guard or one of the other correctees.

  Women had come on to her in county, but she’d been able to turn down the offers without much trouble. The state had a vested interest in keeping her protected at least until the charade of the trial was through. But she had decided to surrender to the next woman who approached her. Better to face it and get it over with, she thought. Maybe she could learn to like it. The dream was all tapped out of her, leaving numbness in its stead.

  She wouldn’t be old when she got out, but that was somehow moot. She already felt old, ancient, tired. She just wanted to go to sleep and sleep until she turned to dust. Unfortunately the mechanisms which protected her from the other women in county also protected her from her dreams of sleep. In one sense, she couldn’t wait for the trial to be done with. She had even toyed with the idea of copping a plea. And then, in the dark of her cell, she could lay herself down to sleep.

  Mississippi

  Johnny MacClough had just finished pulling the stool down off the bar top when the Scupper’s front door opened. Marty Camp, dusting snow off his blue tunic, dropped a bound pile of mail on the bar.

  “Anything for me?” Marty asked.

  “Nothing,” MacClough answered, already skimming the bu
ndle.

  “Anything from Dylan?”

  “Yeah, a postcard from the La Brea Tar Pits: ‘MacClough, These dumb dinosaurs had a better chance in the tar pits than I do of selling my mss. Miss the Scupper. Miss Sound Hill. Mississippi. See you soon. Klein.’ ”

  “The eternal optimist,” Camp remarked. “How long’s he been out on the left coast?”

  “Five whole days.”

  Camp shook his head and went back out into the snow. MacClough poured himself a cup of coffee and finished weeding through the mail. Mostly, it was the usual tripe: bills, more bills, and solicitations. Everybody had something to sell you and unconvincing reasons why you just had to buy it. MacClough ripped up the direct mailings, though he would have much preferred to shred the bills. Late January wasn’t the high season for pubs on the east end of Long Island.

  There was one letter in the bunch. It had no return address on the envelope. MacClough shook the envelope like a pack of sugar and tore off one edge. He took out the one sheet of paper and read it three or four times. He went behind the bar and picked up a bottle of Murphy’s Irish Whiskey. He noticed the bottle was shaking in his hand. Unsuccessfully, he tried willing his hand steady.

  He poured a few drops into his coffee before abandoning that idea. Instead, he removed the pouring spout and pressed his lips around the bottle mouth. MacClough tilted his head back and the bottle up. With a quarter bottle in him, he stopped to look at his hand. The shaking hadn’t stopped, but he no longer cared. The Irish had done its job.

  Pillow

  Harry Klein had all the time in the world to sleep, he just never could. If it wasn’t the pain that kept him up, it was the anticipation. He sat back in bed against a stack of pillows, the room black but for the glow of the television. His eyes were aimed in the direction of the glow, but he wasn’t watching. Harry’s right thumb pressed the channel button every two seconds. Something flashed onto the screen, something flashed off the screen. He could feel the first hints of pain in his left hip. After a lifetime of pain, Harry had gotten good at recognizing the initial onset. It was sort of like knowing you’re going to sneeze, except what Harry was feeling bore no resemblance to that tickley feeling in your nose.

  He started to sweat, feeling to see if his pain patch was in place. It was. At times, he could swear the druggist had gotten it wrong and given him nicotine patches. Switching the remote to his left hand, he reached across his body fumbling for his pills. Remarkably, he opened the bottle with one hand and popped a capsule in his mouth. Swallowing was reflexive. Harry had gotten past the need for water decades ago. During this whole time, his left thumb continued clicking through the channels.

  Harry braced himself. He knew the hints would become twinges before the pills and patches did their work. But tonight the bracing did not help. The twinges got angry, louder, transforming themselves into waves. Harry couldn’t take the waves. When he was younger, maybe. When his wife was alive and the kids lived at home, he could take it. Not anymore. He tried remembering when he had last changed his patch. He couldn’t remember. His left thumb kept clicking.

  His heart was pounding and he had sweated through the bedding now. He yanked off the old patch and replaced it, tearing the package open with his teeth. His left thumb kept clicking. The waves slowed down, but his panic had not. His breathing became rapid, erratic. He began gasping for air. He was drowning. His left thumb kept clicking. Finally, his breathing slowed and steadied. He needed a pill, he thought. It had been hours since the last pill. It seemed like hours. The hours ran together for Harry these days. He managed to get a second pill between his lips, but it did not go down his panic-dried throat so easily. His left thumb kept clicking.

  The waves were gone, the twinges forgotten, even the hints were faded. Harry felt he could almost sleep. He passed the remote back into his right hand, but his right thumb was disinterested. Harry’s lids flickered. He fought the urge to close them. Harry was afraid of sleep, but the fear was weak in him tonight. He clicked off the television and let his eyes close. Harry rolled over and let a pillow be his wife. In this twilight time, he laughed to himself that his wife had never been so thin as a pillow. It was good to pretend, though. And as he drifted off, Harry thought he could hear her call to him that she would protect him from the waves forever. With that promise, Harry’s twilight was ended.

  They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.

  —F. Scott Fitzgerald, The Great Gatsby

  Damaged Goods

  I turned to look over my left shoulder at MacClough seated two pews back. I didn’t think it possible for a man to age so much in a month. He seemed thicker around the middle than I remembered. Four weeks hadn’t lightened the blue of his eyes any, but that mischievous sparkle, though not gone, seemed dimmer somehow, smudged like old wax. His golden, surfer-dude hair had gone gray. Maybe it had been graying for years and I’d been blinded by close proximity. Maybe I hadn’t wanted to see.

  Johnny noticed my stare. His sad smile and signature wink told me so. They were gestures meant not to distract, but to acknowledge and give comfort. Sleight of hand was not MacClough’s way. His wink let me know that he too had seen in the mirror the changes in him I was only noticing now. The smile. . . Well, the smile said many things. It said he knew I was hurting and that showing it was all right with him. But beyond that, it seemed to say that a funeral was no place to judge a man by his looks or to judge a man at all.

  He was right, of course. Often, the only person at a funeral who seems at ease with him or herself is the body in the box. And today, not even that was true. My father was a stranger to me and, if he could have seen what they had done to his face, he would have felt a stranger to himself as well. It wasn’t the vaudeville greasepaint—powders and rouges aren’t, when all is said and done, very good understudies for coursing blood and muscle tone—that made him so alien. On the contrary, as he’d always had a maudlin love of clowns, the makeup was perversely appropriate. It was that they had shaved off his moustache. They shouldn’t have done that. I didn’t know him without that moustache.

  My first impulse was anger. Anger is always my first impulse. It was my dad’s legacy, anger. Anger is like an interesting mixture of black paint and acid. It blots out, erodes anything already on the canvas or on the pallet or in the heart. First, I wanted to slap the funeral directer: “For chrissakes! Who let the undertaker shave him?”

  I slapped no one. I said nothing. Cowardice is the other half of the legacy.

  Anger then turned to my brothers. How could they let him be shaved? But no one had asked their permission—“Excuse me, Mr. Klein, but would you like your dad’s hair done in a shag cut? And that moustache. . . If you ask me, it’s got to go!” I guess my brothers assumed, as I would have, that the whole world—okay, maybe not the whole world, but all of Brooklyn for sure—knew that Harry Klein always had a moustache. Always!

  Finally, I directed my anger to where it would have gone anyway. I let it tear at me. Who was I to rage at anyone else? Where had I been when that twenty-five-cent razor was making a stranger of my dad? I’ll tell you where I was. I was pitching, man, pitching. Four weeks in Los Angeles had schooled me in things the streets of Brooklyn never could. In Brooklyn, you learn to watch your back. In L.A., your back is the least of your worries.

  Hollywood’d been my agent’s idea: “The numbers on the book aren’t so hot, but the artsy-fartsy types out there love it. You’ll throw in a Latina partner for your detective and up the body count a little. . . . Don’t worry.”

  He didn’t let the fact that there was no screenplay bother him: “Who needs a screenplay? No screenplay means you’re more flexible. You’re not invested. They like flexible. Don’t worry.”

  I should have worried. The first week we were out there, pitching my idea meant making a com
petently written detective novel with an arcane plot and surprise ending sound like the best investment since Microsoft. In week two it meant begging with dignity. By the third week it was just begging. By week four I’d taken to farting during meetings to get their attention. It was at the last of these performances that I’d gotten the call to come home. Suddenly, their attention mattered very little.

  I nodded to MacClough and looked along the pew at my family. I took John’s unspoken advice, trying not to judge them. My sisters-in-law seemed shaken down to their shoes. My brothers, on the other hand, appeared nearly catatonic. It was as if both their faces had been coated in a quick-setting mortar, color-matached perfectly to their skins. But when you gazed closely enough, cracks showed in the plaster and there was an unmistakable redness in the folds of their eyes. Sometimes, tears themselves are unnecessary. My nieces and nephews were appropriately confused.

  Zak, my brother Jeffrey’s oldest son, was AWOL. Commitment to family was not high on my nephew’s list of priorities. And as he seemed destined and determined to take up my mantle as the family fuck-up, his absence had not exactly set the world ablaze. No one was calling in the troops or printing Zak’s likeness on milk cartons. I think he would have caused more of a ripple if he had just shown his face.

  The rabbi began his routine. He was a man clearly inspired by the Minute Waltz. It had taken Harry Klein seventy-four years to live out his time, but the rabbi was intent upon summarizing them in as many seconds. I might not have minded the pace so much had he been able to muster some semblance of genuine feeling. He didn’t have it in him. And when, twenty seconds into his tribute, the rabbi began buzz sawing through the third and fourth decades of my dad’s life, I stopped listening and checked out the decor.